Les cookies assurent le bon fonctionnement de nos services. En utilisant ces derniers, vous acceptez l'utilisation des cookies. En savoir plus

close

Important Information


A compter du 1er janvier 2020, Radionomy migrera vers la plateforme Shoutcast. Cette évolution s’inscrit dans la volonté du groupe de proposer à tous les producteurs de radios digitales de nouveaux outils professionnels pour mieux répondre à leur attente.

Shoutcast est depuis longtemps le leader mondial de la radio numérique. Il fournit des statistiques détaillées, et aide ses utilisateurs à développer leur audience. Plus d’un millier de partenaires relaient les stations de Shoutcast sur leurs applications et appareils connectés.

Découvrez la solution Shoutcast.

The Capitols

Formation and DisbandmentThe R&B trio formed in 1962 as "The Caps," with Samuel George as the lead vocalist and drummer, Don Storball (birth name: Don Norman) on backup vocals and guitar, and Richard Mitchell (birth name: Richard McDougall) on backup vocals and keyboard.
After playing predominantly small gigs, they were discovered by former Ann Arbor radio DJ Ollie McLaughlin after performing at a local dance headlined by Barbara Lewis.
After signing with the Karen record label, owned by McLaughlin, the group went on to record and release their first single in 1963, "Dog and Cat/The Kick".
The record displayed the upbeat energy of their later work, however the juvenile nature and lyrics of the song couldn't find a substantial audience.
In light of the disappointing performance of their debut single, the group dissolved and pursued other ventures.Re-formation and Cool JerkThe mid-1960s saw many dance crazes; one of the most popular ones was a dance called "the jerk." It consisted of holding the arms out in different positions and making thrusting motions with the hips.
Though controversial for lewdness at the time, a particularly sexual version of the dance had become popular in Detroit clubs, called the "pimp jerk".Seeking to capitalize on the popularity of the dance, and dance songs in general, Storball wrote a song about the pimp jerk, renaming it "Cool Jerk" in order to prevent possible banning by radio stations.
Realizing that the song was a hit, the group re-formed and contacted McLaughlin in order to secure studio time to record the song.The song was recorded at Golden World Studios in Detroit on March 14, 1966 with the legendary Motown house band The Funk Brothers.
Though the song was meant to include a horn accompaniment, the contracted musicians failed to show up for the recording session and their parts were omitted from the track.
"Cool Jerk" was released on July 2, 1966 and was a smash hit, reaching as high as #7 on the Billboard Hot 100 and #2 on the Billboard R&B charts.Decline and dissolutionAttempting to exploit the success of their hit single, the Capitols released two albums in 1966, "Dance the Cool Jerk" and "We Got a Thing," both featuring mostly covers of popular Motown and soul songs.
Both albums were somewhat of a commercial and critical failure, though "Dance the Cool Jerk" did spend one week in the Billboard Top 200 Albums at #95 in July 1966.
The group released eight additional singles after "Cool Jerk", only two of which made the Billboard charts, getting no higher than #65, relegating the group to a One-Hit Wonder.
In late 1969, the group broke up for the final time.Storball went on to a career in the Higland Park, MI Police Department, and still lives in Detroit.
Richard McDougall died on February 19, 1984 of unknown causes.
Samuel George died March 17, 1982 after he was fatally stabbed in a domestic dispute.LegacyThough the group had a fairly short career and limited commercial success, their hit "Cool Jerk" has stood the test of time.
It has been used in Cool Whip commercials (lyrics changed from "cool jerk" to "cool whip") and for many movie soundtracks, including More American Graffiti (1979), Night and the City (1992), Home Alone 2: Lost in New York (1992), and Calendar Girl (1993).Additionally, "Cool Jerk" has made many best-of lists, including "100 Greatest Rock Bass Performances" (#70) and "VH1's 100 Greatest Dance Songs" (#48).The song is still played in heavy rotation on oldies and soul stations across the world.

cc-by-sa

Morceaux populaires