Swarming guitar fuzz, bass waves, Jana Hunter’s voice, and insistent drum throbs are the core components of Baltimore’s Lower Dens. Hunter, sometimes known for intimate, ghost-heavy weird-fi, is now writing and playing with a group that might get filed as new wave, or drone pop, or post-punk. With due deference to her solo work, we’re very glad. The swarming wave-throb, coupled with Hunter’s lyrics and redolent, charred voice, wrecks.
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To Die In L.A.